Ashtanga Vinyasa Yoga at Buddha Heart Yoga by Dylan Hendrix
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Ashtanga Yoga

Ashtanga Yoga

Ashtanga Yoga is an ancient system of Yoga that was taught by Vamana Rishi in the Yoga Korunta. This text was imparted to Sri T. Krishnamacharya in the early 1900’s by his Guru Rama Mohan Brahmachari, and was later passed down to Pattabhi Jois during the duration of his studies with Krishnamacharya, beginning in 1927.

The following are aspects that Pattabhi Jois emphasizes as the main components of Ashtanga Yoga.

 

Vinyasa

Vinyasa means breathing and movement system. For each movement, there is one breath. For example, in Surya Namskar there are nine vinyasas. The first vinyasa is inhaling while raising your arms over your head, and putting your hands together; the second is exhaling while bending forward, placing your hands next to your feet, etc. In this way all asanas are assigned a certain number of vinyasas.

 

The purpose of vinyasa is for internal cleansing. Breathing and moving together while performing asanasmakes the blood hot, or as Pattabhi Jois says, boils the blood. Thick blood is dirty and causes disease in the body. The heat created from yoga cleans the blood and makes it thin, so that it may circulate freely. The combination of the asanas with movement and breath make the blood circulate freely around all the joints, taking away body pains. When there is a lack of circulation, pain occurs. The heated blood also moves through all the internal organs removing impurities and disease, which are brought out of the body by the sweat that occurs during practice.

 

Sweat is an important by product of vinyasa, because it is only through sweat that disease leaves the body and purification occurs. In the same way that gold is melted in a pot to remove its impurities, by the virtue of the dirt rising to the surface as the gold boils, and the dirt then being removed, yoga boils the blood and brings all our toxins to the surface, which are removed through sweat. If the method of vinyasa is followed, the body becomes healthy and strong, and pure like gold.

 

After the body is purified, it is possible to purify the nervous system, and then the sense organs. These first steps are very difficult and require many years of practice. The sense organs are always looking outside, and the body is always giving into laziness. However, through determination and diligent practice, these can be controlled. After this is accomplished, mind control comes automatically. Vinyasa creates the foundation for this to occur.

 

Tristhana: This means the three places of attention or action: posture, breathing system and looking place. These three are very important for yoga practice, and cover three levels of purification: the body, nervous system and mind. They are always performed in conjunction with each other.

 

Asanas purify, strengthen and give flexibility to the body. Breathing is rechaka and puraka, that means inhale and exhale. Both the inhale and exhale should be steady and even, the length of the inhale should be the same length as the exhale. Breathing in this manner purifies the nervous system. Dristhi is the place where you look while in the asana. There are nine dristhis: the nose, between the eyebrows, navel, thumb, hands, feet, up, right side and left side. Dristhi purifies and stabilizes the functioning of the mind.

 

For cleaning the body internally two factors are necessary, air and fire. The place of fire in our bodies is four inches below the navel. This is the standing place of our life force. In order for fire to burn, air is necessary, hence the necessity of the breath. If you stoke a fire with a blower, evenness is required so that the flame is not smothered out, or blown out of control.

 

The same method stands for the breath. Long even breaths will strengthen our internal fire, increasing heat in the body which in turn heats the blood for physical purification, and burns away impurities in the nervous system as well. Long even breathing increases the internal fire and strengthens the nervous system in a controlled manner and at an even pace. When this fire is strengthened, our digestion, health and life span all increase. Uneven inhalation and exhalation, or breathing too rapidly, will imbalance the beating of the heart, throwing off both the physical body and autonomic nervous system.

 

An important component of the breathing system is mula and uddiyana bandha. These are the anal and lower abdominal locks which seal in energy, give lightness, strength and health to the body, and help to build a strong internal fire. Without bandhas, breathing will not be correct, and the asanas will give no benefit. When mula bandha is perfect, mind control is automatic.

 

The six poisons

The six poisons: A vital aspect of internal purification that Pattabhi Jois teaches relates to the six poisons that surround the spiritual heart. In the yoga shastra it is said that God dwells in our heart in the form of light, but this light is covered by six poisons: kama, krodha, moha, lobha, matsarya, and mada. These are desire, anger, delusion, greed, envy and sloth. When yoga practice is sustained with great diligence and dedication over a long period of time, the heat generated from it burns away these poisons, and the light of our inner nature shines forth.

This forms the practical and philosophic basis of Ashtanga Yoga as taught by Sri K. Pattabhi Jois.

 

Parampara

Parampara is knowledge that is passed in succession from teacher to student. It is a Sanskrit word that denotes the principle of transmitting knowledge in its most valuable form; knowledge based on direct and practical experience. It is the basis of any lineage: the teacher and student form the links in the chain of instruction that has been passed down for thousands of years. In order for yoga instruction to be effective, true and complete, it should come from within parampara.

 

Knowledge can be transferred only after the student has spent many years with an experienced guru, a teacher to whom he has completely surrendered in body, mind, speech and inner being. Only then is he fit to receive knowledge. This transfer from teacher to student is parampara.

 

The dharma

The dharma, or duty, of the student is to practice diligently and to strive to understand the teachings of the guru. The perfection of knowledge – and of yoga — lies beyond simply mastering the practice; knowledge grows from the mutual love and respect between student and teacher, a relationship that can only be cultivated over time.

 

The teacher’s dharma is to teach yoga exactly as he learned it from his guru. The teaching should be presented with a good heart, with good purpose and with noble intentions. There should be an absence of harmful motivations. The teacher should not mislead the student in any way or veer from what he has been taught.

 

The bonding of teacher and student is a tradition reaching back many thousands of years in India, and is the foundation of a rich, spiritual heritage. The teacher can make his students steady – he can make them firm where they waver. He is like a father or mother who corrects each step in his student’s spiritual practice.

 

The yoga tradition exists in many ancient lineages, but today some are trying to create new ones, renouncing or altering their guru’s teachings in favor of new ways. Surrendering to parampara, however, is like entering a river of teachings that has been flowing for thousands of years, a river that age-old masters have followed into an ocean of knowledge. Even so, not all rivers reach the ocean, so one should be mindful that the tradition he or she follows is true and selfless.

 

Many attempt to scale the peaks in the Himalayas, but not all succeed. Through courage and surrender, however, one can scale the peaks of knowledge by the grace of the guru, who is the holder of knowledge, and who works tirelessly for his students.

 

Traditional method

Yoga can be practiced by anyone, whether young, old, very old, healthy or sick. Even so, the way in which a young person is taught will differ in manner from the way in which an old or sick person will be taught. Therefore, each student must be considered as an individual and taught at a pace that is suitable for their situation in life.

 

All students commence their instruction in the same manner in which on the first day of class they are taught Surya Namaskar A, followed by Padmasana and deep breathing, and a few minutes of rest to conclude their first day of practice. The next day after Surya Namaskar A has been performed, Surya Namaskar B is taught, and one then again concludes in the same method as the previous day, with Padmasana, deep breathing, and rest. After both of the Surya Namaskar have been learned correctly, each of the various asanas are added one by one. When one asana is correct, the next one is taught. Depending on the age and ability of the student, it can take anywhere upwards of 3 months to learn the primary series.

 

The format of the practice always remains the same; one always begins practice with Surya Namaskar, concludes with Padmasana and rest, and the various asanas gradually fill the space between these two poles. Learning yoga in this traditional manner benefits the student on many levels. It is possible for one to gain independence and confidence in their sadhana (spiritual practice), as well, something truly becomes one’s own when they learn it by heart. It is through the daily practice of Ashtanga Yoga that we draw it into ourselves, understand it, and become proficient in its methods, thereby reaping its wide range of benefits. For this to be accomplished, a slow, dedicated and patient approach is best.

 

Vinyasa means careful linking of breath and movement. The Surya Namaskar and each of the successive asanas are comprised of a particular number of vinyasas. Vinyasa creates heat in the body, which warms the blood. The warmed blood passes through the muscles, nerves, internal organs and glands, removes toxins from them, and carries them out through the sweat. This is how the process of purification begins. It is important that the student does not rush ahead doing too many asanas, and allows the body to be gradually purified. If one rushes ahead quickly, it is possible for sickness to occur, rather than purification. It is important that the teacher checks to ensure that the position of the body and the movement of breath are correct in each asana before moving the student forward so that one may reap the proper benefit of Ashtanga Yoga.

 

Because of the difficult nature of remembering and mastering the various vinyasas, on Fridays and Sundays, group guided classes are taught, in which all the vinyasas are counted out loud and all students follow along together accordingly.

 

The method of Yoga taught at KPJAYI is that which has been told by the ancient Sage Vamana in his text called “Yoga Korunta.” Although many books on Yoga have been written, Vamana is the only one who has delineated a complete practical method. In the 1920’s, the Yogi and Sanskrit Scholar, T. Krishnamacharya traveled to Calcutta where he transcribed and recorded the Yoga Korunta, which was written on palm leaves and was in a bad state of decay, having been partially eaten by ants. Later, Krishnamacharya passed on these teachings to the late Pattabhi Jois, whose school continues to teach this method today.

Vamana Rishi taught “Vina Vinyasa Yogena asanadih na karayet” – do not do yoga without Vinyasa. Vamana is telling one by one, and vinyasa, no problem.

[Source: http://sharathjois.com/the-practice/]

Opening Prayer

The two verses of the chant come from different sources. The first verse is part of a longer poem called the Yoga Taravalli written by Adi Sankara, and is said to be one of Krishnamacharya’s favorites.

The second verse is part of the Patanjali Invocation, which is often chanted before chanting the Yoga Sutras.

The Opening Prayer is a blessing of gratitude offered to the lineage of teachers and their students who have enabled this ancient practice to survive through thousands of years so that we can experience its benefits today. The recitation of this mantra cleanses the energy of the space we have chosen to practice yoga, as well as preparing the mind, body and emotions for the forthcoming Ashtanga sequence.

 

वन्दे गुरूणां चरणारविन्दे सन्दर्शित स्वात्म सुखावबोधे
निःश्रेयसे जाङलिकायमाने संसर हालाहल मोहशान्त्यै

आबाहु पुरुशाकारं शंन्खचक्रासि धारिणम्
सहस्र शिर्समं श्वेतमं प्रणमामि पतञ्जलिम्

 

Om
Vande Gurunam Charanaravinde
Sandarshita Svatma Sukava Bodhe
Nih Sreyase Jangalikayamane
Samsara Halahala Mohashantyai

Abahu Purushakaram
Shankhacakrsi Dharinam
Sahasra Sirasam Svetam
Pranamami Patanjalim
Om

 

Translation

 

om

I bow to the lotus feet of the Supreme Guru
which awaken insight into the happiness of pure Being,
which are the refuge, the jungle physician,
which eliminate the delusion caused by the poisonous herb of Samsara (conditioned existence).

I prostrate before the sage Patanjali
who has thousands of radiant, white heads (as the divine serpent, Ananta)
and who has, as far as his arms, assumed the form of a man
holding a conch shell (divine sound), a wheel (discus of light or infinite time) and a sword (discrimination).

om

 

Alternative translation

I praise the lotus-feet of my teachers,
who show [the method of] becoming aware of the joy in my own self;
They have the knowledge to show everyone the way through the jungle,
pacifying the poisonous delusions of cyclical existence.

 

They are the few, among multitudes.
With a conch-shell, a disc, and a sword they rend asunder;
They have a thousand radiant heads.
I bow to these philosopher physicians.

 

Closing Prayer (Mangala Mantra)

The Mangala mantra is from the Rig Veda and is traditionally chanted at the end of ceremonies. Mangala means ‘auspicious’ which means ‘conducive to success.’

 

It brings the practice to a peaceful end; sealing in the work done and offering the efforts of our practice to improve the state of the world. The essence of the finishing mantra is to wish for peace, prosperity, and happiness for all creations of the world. This is akin to one of the reasons for practicing yoga as stated in the Baghvad Gita 3.20. The effort to purify and uplift our own life as stated in the opening prayer, should be done altruistically for the benefit of uplifting and enriching the world. The energy we created throughout the practice is sent into the world in form of love, light, and peace.

 

The Mangala mantra is from the Rig Veda, which is old—very old. Exactly how old is a matter of some debate but often estimated to be around 3,500 years old. It is the oldest religious text that has been in continuous use and is still used today.

 

In general terms it contains several mythological and poetical accounts of the origin of the world, hymns praising the gods, and ancient prayers for life, prosperity including the Gyatri Mantra (verse 3.62.10 in Mandala 3) and the Mangala mantra.

 

 

Om

Svasthi Praja Bhyaha Pari Pala Yantam
Nya Yena Margena Mahim Mahishaha
Go Brahmanebhyaha Shubamastu Nityam
Lokah Samastah Sukhino Bhavantu
Om Shanti Shanti Shantihi

 

Translation

May the rulers of the earth keep to the path of virtue
For protecting the welfare of all generations.
May the religious, and all peoples be forever blessed,
May all beings everywhere be happy and free
Om peace, peace, perfect peace

 

[Source : https://kpjayi.org/the-practice/ & https://www.elephantjournal.com/2013/10/the-closing-chant-of-ashtanga-yoga-melanie-cooper/ & http://practicingashtanga.com/ashtanga-mantra/]

Moon days

As part of Ashtanga tradition, we do not practice yoga on moon days. Instead, we use these days to recognize and honor the rhythms of nature so we can live in greater harmony with it.

“Both full and new moon days are observed as yoga holidays in the Ashtanga Yoga tradition. What is the reasoning behind this?

Like all things of a watery nature (human beings are about 70% water), we are affected by the phases of the moon. The phases of the moon are determined by the moon’s relative position to the sun. Full moons occur when they are in opposition and new moons when they are in conjunction. Both sun and moon exert a gravitational pull on the earth. Their relative positions create different energetic experiences that can be compared to the breath cycle. The full moon energy corresponds to the end of inhalation when the force of prana is greatest. This is an expansive, upward moving force that makes us feel energetic and emotional, but not well grounded. The Upanishads state that the main prana lives in the head. During the full moon we tend to be more headstrong.

 

The new moon energy corresponds to the end of exhalation when the force of apana is greatest. Apana is a contracting, downward moving force that makes us feel calm and grounded, but dense and disinclined towards physical exertion.

The Farmers Almanac recommends planting seeds at the new moon when the rooting force is strongest and transplanting at the full moon when the flowering force is strongest. Practicing Ashtanga Yoga over time makes us more attuned to natural cycles. Observing moon days is one way to recognize and honor the rhythms of nature so we can live in greater harmony with it.”

 

[Source: http://ashtangayogacenter.com/moon-days/]

[According to the website AmayuYoga:

In 2017, reports surfaced that Pattabhi Jois sexually assaulted a number of former students in plain sight often under
the guise of giving asana assists. These women, Jubilee CookeKaren Rain and others, released powerful statements that shared their #metoo stories. The behaviour of Jois had been normalized and minimized throughout the community of practitioners through a variety of power dynamics including the attribution to Jois of spiritual and healing power. It is power dynamics such as these that allowed abuse in plain sight to be rationalized and repressed only to come up years after Pattabhi Jois’s death. It is power dynamics such as these that Amayu seeks to address in re-imagining Ashtanga Yoga.]

 

Sri K. Pattabhi Jois (Sri Krshna Pattabhi Jois) 1915-2009

 

Childhood

Buddha Heart Yoga - Ashtanga Yoga

 

Yogacharaya Shri K. Pattabhi Jois (Guruji) was born on the full moon of July 1915, in Kowshika, a small hamlet located 150 kilometers from Mysore in the southern state of Karnataka. His father was an astrologer and a priest in the village of nearly seventy families. Guruji was the middle of nine children, and from the age of five, like most Brahmin boys, began to study the Vedas and Hindu rituals. At 12, he attended a yoga demonstration at his middle school that inspired him to learn more about the ancient practice. He was so excited about this new discovery, he arose early the next morning to meet the impressive yogi he had seen, Sri T. Krishnamacharya, one of the most distinguished yogis of the 20th Century.

 

 

After questioning Guruji, Krishnamcharya agreed to take him on as his student, and for the next two years, unbeknownst to his family, Guruji practiced under the great yogi’s strict and demanding tutelage every day before school, walking five kilometers early in the morning to reach Krishnamacharya’s house. He was ambitious in his studies and driven to expand his knowledge of yoga. When he would read the Ramayana and other holy books on the veranda of his house, his family members would say, “Oh, look at the great pundit. Why are you wasting your time with books? Go tend to the cows!”

 

Mysore

 

When Guruji turned fourteen, he was given the Brahmin thread initiation – the ceremony in which a Brahmin boy becomes a man and is initiated into the spiritual life. Soon after the significant ceremony, and with two rupees in his pocket, Guruji secretly ran away from home to seek Sanskrit study at the Sanskrit University of Mysore. After getting off the train, he went straight to the admissions department, showed his thread as proof of being Brahmin [this would gain him free admission], and was accepted to the school. He dutifully attended classes and his studies, and continued his yoga practice, even giving demonstrations that secured him food privileges at the university mess. With little money, life in the beginning was difficult for Guruji, who also begged for food at Brahmin houses. It was three years before he wrote to his father to tell him where he was and what he was doing.

 

In 1932, he attended a yoga demonstration at the university and was pleased to discover that the yogi on stage was his guru, Sri Krishnamacharya. Having lost touched after Guruji left Kowshika, they recommenced their relationship in Mysore, which lasted twenty-five years.

 

The Maharaja

During this time, Mysore’s Maharaja, Sri Krishna Rajendra Wodeyar, fell suddenly ill. Informed of a remarkable yogi who might help him where all others had failed, he sent for Krishnamacharya, who cured him through yoga. In gratitude, the Maharaja established a Yoga shala for him on the palace grounds, and sent him, along with model students like Guruji, around the country to perform demonstrations, study texts, and research other yoga schools and styles. Some one hundred students were schooled at the palace yoga shala.

 

The Maharaja was especially fond of Guruji and would call him to the palace at four in the morning to perform yoga demonstrations. In 1937, he ordered Guruji to teach yoga at the Sanskrit University, in spite of his desires to remain a student. Guruji established its first yoga department, which he directed until his retirement in 1973. The department was permanently closed after that.

 

The Maharajah died in 1940, bringing an end to Krishnamacharya’s long patronage. By the time the esteemed teacher left for Madras in 1954, he had only three remaining, very dedicated students: Guruji, his friend C. Mahadev Bhatt, and Keshavamurthy. Guruji was the only one who considered teaching his life’s work, and carried on Krishnamacharya’s legacy in Mysore.

 

Family

While Guruji was studying with Krishnamacharya, a young and strong-willed girl began to attend his yoga demonstrations at the Sanskrit University, accompanied by her father, a Sanskrit scholar. One day, after one of the demonstrations, Savitramma, who was only fourteen at the time, announced to her father, “I want that man in marriage.” Agreeably, her father approached the 18-year-old Guruji and invited him to their home in the village of Nanjangud, twenty kilometers away. Guruji respectably accepted. After learning more about the young yogi and his Brahmin and family background, Savitramma’s father agreed to the union, as did Guruji’s father despite the couple’s horoscope report of unsuitability. “Suitable or not, I want to marry him,” declared Savitramma, who later came to be affectionately known as Amma [mother]. They were married that year in a love match on the fourth day after the full moon of June 1933, Amma’s birthday.

 

After the wedding, Amma returned to her family and Guruji to his room at the University. They didn’t see each other for three to four years, until 1940, when Amma joined her husband in Mysore to begin their life together. They had three children – Manju, Saraswathi and Ramesh – each who became great yoga teachers themselves. Amma was Guruji’s first yoga student, and was also given a teaching certificate by Krishnamacharya. Amma was like a mother to Guruji’s students, both Western and Indian; her presence cherished as much as his. She was kind and loving, always ready with an invite for coffee or an encouraging word. Because she was also well-versed in Sanskrit, she was often nearby to correct Guruji’s mistakes or remind him of a forgotten Sanskrit verse – much to the amusement of all present. She passed away suddenly in 1997. Her loss was devastating to the entire family, as well as to the family of yoga students.

 

Teaching

Life during the early years was not easy. Although Guruji had a yoga teaching position at the Sanskrit University, his ten-rupee-a-month salary was barely adequate to maintain a family of five. [Their circumstances eased somewhat in the mid-fifties when he became a professor.] In 1948, Guruji established the Ashtanga Yoga Research Institute in their tiny two-room home in Lakshmipuram with a view toward experimenting with the curative aspects of yoga. Many local officials, from police chiefs to constables and doctors, practiced with him. Local physicians even sent their patients to Guruji to help with the treatment of diabetes, heart and blood pressure problems and a variety of other ailments.

 

In 1964, Guruji added an extension to the back of his house, consisting of a yoga hall that held twelve students, and a resting room upstairs. That same year, a Belgian named Andre van Lysbeth arrived at the AYRI on the recommendation of Swami Purnananda, a former student of Guruji’s. For two months, Guruji taught this foreigner the primary and intermediate asanas. Soon after, Van Lysbeth wrote a book called Pranayama in which Guruji’s photo appeared, and introduced the Ashtanga master to the Europeans. They eventually became the first Westerners to seek him out and study in Mysore. Americans followed soon after in 1971.

 

Guruji had already traveled widely in India with Krishnamacharya and with Amma, meeting yogis, debating with scholars and giving yoga demonstrations. He met with Swami Sivananda, and the Shankaracharya of Kanchipuram, and befriended Swami Kulyananda and Swami Gitananda, both renowned for their scientific research in yoga. Guruji’s ashtanga had extended throughout India, but didn’t reach the overseas community until 1973 (the very same year he retired from the Sanskrit University), when he was invited to Sao Paulo, Brazil. The following year he went to Encinitas, California, the first of many teaching trips abroad, including France, Switzerland, Finland, Norway, England and Australia.

 

Over the next twenty years, word of Pattabhi Jois and ashtanga yoga slowly spread across the globe, and the number of students coming to Mysore steadily increased. In 1998, Guruji shifted his residence to Gokulam, a suburb of Mysore, but continued teaching from the Lakshmipuram institute. By then, he was receiving more international students than the small room could handle, so he began construction of a much larger hall, just opposite his house in Gokulam. The new shala officially opened in 2002, with several days of pujas and ceremonies. Four years later, his dream of opening a school in the United States was realized with the launch of an institute in Islamorada, Florida. Guruji conducted the opening ceremonies there in 2006, which served as his final trip abroad.

 

The Passing of the Lineage

In 2007, Guruji became gravely ill, bouncing back just enough to teach a bit more yoga. By the end of the following year, after seven decades of continuous teaching, he had gradually retired from his daily classes, leaving the institute in the capable hands of his daughter Saraswathi and grandson Sharath.

 

Guruji passed away at home in Mysore on May 18th, 2009 at the age of 93. His death came as a tragic loss to the worldwide yoga community. His entire life was an endeavor to imbue his students with commitment, consistency and integrity – and to actualize in his own life the conduct of a householder yogi. It is by virtue of his undying faith and enthusiasm that the practice that he learned from Krishnamacharya has remained alive. And thus, by his devotion to the daily teaching of yoga, his legendary works will remain alive too.

 

[Extract: http://kpjayi.org/biographies/k-pattabhi-jois/]

 

Saraswathi

Saraswathi was born in 1941 and practiced steadily under the guidance of her father Sri K. Pattabhi Jois from the age of 10-22. She was the first girl ever to be permitted admission to the Sanskrit College in Mysore where she studied the basic Sanskrit works and learnt yoga from her father. For many years she assisted her father, but since 1975 she has been teaching her own classes. In 1986 she created a little Yoga revolution here in Mysore by being the first woman ever to teach men and women together. Saraswathi welcomes all yoga students who come to Mysore.

For Saraswathi, Yoga has always been the major influence of her life. Playfully she begun exploring various Yoga postures from an early age, but took up a consistent practice from the age of ten.

 

Of her two children, Sharmila Mahesh and Sharath Jois, it was Sharath who she encouraged to become Guruji’s assistant, and learn from his tremendous body of knowledge in regards to yoga practice, theory and philosophy. Sharmila runs her institute in Bangalore, reaching many from the IT world who reside there. Sharmila also helps assist Saraswathi in her daily Mysore classes

 

[Extract: http://www.kpjayshala.com/gurus-kpjayshala.html]

 

 Sharath

Sharath was born on September 29, 1971 in Mysore, India to Saraswathi Rangaswamy, daughter of ashtanga master Sri K. Pattabhi Jois. Growing up in a house full of yoga practitioners, Sharath learned his first asanas at age seven and experimented with postures from the primary and intermediate series until he turned fourteen. Though he spent the next three years focused on his scholastic education, earning a diploma in electronics from JSS in Mysore, Sharath knew that he would one day follow the ashtanga path blazed by his mother and legendary grandfather.

Sharath embarked on his formal yoga study at the age of nineteen. He would wake every day at 3:30 a.m. and cross the town of Mysore to his grandfather’s Lakshmipuram yoga shala. There, he would first practice and then assist his guru, Pattabhi Jois, a routine of dedication he has followed for many years.

Today, Sharath’s sincere devotion and discipline to the study and practice of yoga compels him to rise six days a week at 1:00 a.m. to complete his practice before the first students arrive at the K. Pattabhi Jois Ashtanga Yoga Institute, where he serves as Director.

Sharath is Pattabhi Jois’s only student who has studied and continues to practice the complete six series of the ashtanga yoga system. He presently resides in Mysore with his wife Shruthi, daughter Shraddha, and son Sambhav.

 

[Extract: http://kpjayi.org/biographies/k-pattabhi-jois/]

 

Manju Jois

Guruji’s eldest son, Manju Jois, came to America with Guruji in 1975 and decided to remain, has his school in Carlsbad, California. Manju travels extensively, teaching international workshops.

 

He hopes to bring “better concentration and understanding” of Astanga Yoga to his students in a world full of distractions. Manju’s dedication to his life of teaching and practicing yoga has brought the benefits of the ancient tradition of Ashtanga Yoga Manju to many students throughout the world, as he guides each to “Unite with Yourself.”

 

[More info on Manju can be found here: http://manjujois.com/about/]